Mini Reviews: Graphic Novels

Mini Reviews: Graphic Novels
I borrowed a bunch of graphic novels from the library (read all about that here) and I’ve thoroughly enjoyed getting stuck into them. Here are my thoughts!

Coraline by Neil Gaiman & P. Craig Russell
I must confess that I’ve never read Neil Gaiman’s Coraline, but I have seen the adaptation and have been curious about how it’d work as a graphic novel. As it turns out, it’s wonderfully creepy. I expected Coraline to have bright blue hair and the story to be as whimsical as it is in the film, but the graphic novel is more realistic. I don’t think button eyes and the Other Mother will ever stop being creepy. P. Craig Russell’s illustrations capture the weirdness perfectly!

Blankets by Craig Thompson
Blankets had been on my wishlist for years. I knew it was a coming-of-age story, but I wasn’t prepared for how gritty it could be. The story of young Craig Thompson and his little brother was both bleak and poignant. The story becomes more hopeful as Craig grows older and falls in love for the first time. Even though the religious aspect was a little too heavy for me, Blankets is full of lovely cinematic panels and gorgeous illustrations.

El Deafo by Cece Bell
El Deafo is one of the best graphic novels I’ve read, about Cece Bell growing up with a severe hearing impairment in the 80s after becoming ill. El Deafo is beautifully illustrated and the story is fantastic. Cece shows us what it’s like to not only be unable to hear what’s being said but understand what’s being said. From the difficulties of making friends – especially best friends – to discovering the amazing Phonic Ear, this is a remarkable story about growing up. Cece now has superpowers: El Deafo, Listener for All!

Phonogram, Vol 2: The Singles Club by Kieron Gillen & Jamie McKelvie
Before I loved books, I loved music. In The Singles Club, each character gets their own comic, telling the story of one night in a dance club, in a world where music is magic – and they are all “phonomancers”. It’s a little odd and I didn’t love all the characters’ stories, but I enjoyed the bubbly Penny B and her love of dancing, The Pipettes, and beautiful boy Marc, who can’t get over his ex. It’s not a favourite, but a fun concept all the same.

The Property by Rutu Modan and translated by Jessica Cohen
I love coming across books I didn’t know about yet end up loving, but it rarely happens. The Property is the tale of Regina Segal and her granddaughter Mica, who return to Warsaw to get back the family home that was lost during the Second World War. The Property is an emotional tale of heritage and family secrets, but with a sense of humour too. I picked it up because I’m intrigued by World War II stories but I got much more: an emotional graphic novel that I continued to think about long after I put it down.

Ghost World by Daniel Clowes
Ghost World is the story of Enid and Becky, two best friends growing up and growing apart. It’s hailed as “a must for any self-respecting comics fan’s library”. Perhaps it’s because I wasn’t a teen in 90s USA, or perhaps I because I just wasn’t like these particular teens, but I found them too pretentious and unpleasant to appreciate what happened to them. Although I enjoyed the occasional panel, the story and artwork didn’t work for me. I welcome graphic novels about what it’s like to be a teenage girl, but Ghost World sadly isn’t one of them.

Have you read any of these graphic novels?

From My Bookshelves / Graphic Novels

El Deafo

From My Bookshelves / Graphic Novels

The Singles Club

From My Bookshelves / Graphic Novels

Coraline

From My Bookshelves / Graphic Novels

Blankets

Frame illustrations designed by Freepik.

Book Review: Relish – My Life in the Kitchen by Lucy Knisley

Book Review: Relish – My Life in the Kitchen by Lucy Knisley

Shelved: Non-fiction (graphic novel, memoir)
Buy: Hive
More: Goodreads

In the spirit of a foodie Bank Holiday weekend (I blogged about Penguin’s Great Food series yesterday), it seemed only appropriate to start my review of Relish: My Life in the Kitchen too. I first came across this foodie graphic memoir when I saw that it had been nominated for a Goodreads Choice Award in 2013. I love books and I love food, so I added it to my wishlist straight away. It wasn’t until last month that I finally got around to buying it, after a trip to Gosh! Comics with Debbie. We had never visited Gosh! before (neither of us have read many graphic novels or comics) and were looking forward to it. We loved the huge curated display table as soon as you set foot through the door, and this is where we found Relish (Debbie bought Friends with Boys). We both definitely want to go back, especially because the staff were super friendly.

I loved Relish as soon as I started reading it. It’s 29-year-old Lucy’s graphic memoir of growing up surrounded by food and food lovers, from her chef mum’s home cooking to exotic foodie adventures on trips abroad – what food means to her and what food she particularly loves, and what memories they bring back. She says, ‘I can remember exactly the look and taste of a precious honey stick, balanced between my berry-stained fingers, but my times tables are long gone, forgotten, in favour of better, tastier memories’. Lucy’s drawings are wonderful and colourful – an exquisite mix of food writing and delicious illustrations. You can’t really ask for more.

I relate to her because she’s a foodie, but not a food snob. She love artisan bread and good quality chocolate, but she won’t say no to McDonald’s or a packet of Oreos. (‘We wouldn’t be eating it if it didn’t taste good’). She writes so eloquently, but clearly, showing us how memories of food are memories of growing up, and how tasting all the different flavours – from home and from other cultures – is like no other experience. I craved so many different kinds of food while reading Relish, including food I’ve never even tried (where can I find a tomatillo or honey sticks?). At the end of each chapter, there’s an easy-to-follow tasty recipe to make one of the foods featured in that chapter, such as the best chocolate chip cookies and sushi rolls. It was perfect for bedtime reading and it made me want to pick up more graphic novels – and eat more food!

I can’t wait to pick up her travelogue, French Milk, next and her new book, An Age of License: A Travelogue, is published in September. She also posts lots of lovely things on Tumblr.

Published: 26th April 2013
Publisher: First Second
Pages: 192

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Book Review: Hyperbole and a Half by Allie Brosh

Book Review: Hyperbole and a Half by Allie Brosh


Shelved:
Non-fiction (graphic novel, memoir, humour)
Rating: ★★★★★
Buy: Hive
More: Goodreads

I picked up Hyperbole and a Half on a recent trip to Waterstones Gower St, but it wasn’t exactly a planned purchase – although it had been on my wishlist for a while and I had been thinking about buying it – because I wasn’t 100% sure that it wouldn’t just be a coffee table book that I’d flick through once, think was just okay, and then never come back to again. As it turns out, Hyperbole and a Half is well worth the purchase. I have been telling other people to read it since I finished the last story because it made such an impact on me. It won a Goodreads Choice Award for a reason, you know!

Hyperbole and a Half, as I’m sure you’re familiar, stems from Allie Brosh’s successful blog of the same name, made famous by the ‘ALL THE THINGS!’ internet meme. I discovered it one day in 2010 as I was casually browsing the internet and came across one of her illustrations. I clicked through to read more and after a few minutes I was giggling to myself, so I forwarded the blogpost onto to a friend, who responded with ‘HA! Clean ALL the things!’. I don’t really know why it resonates with people so much, perhaps because it captures such a simple, mundane moment so hilariously and accurately. Hyperbole and a Half is genuinely funny – I couldn’t resist starting it straight away and I found myself laughing out loud on the bus on the way home from the bookshop. I knew that I was going to love it.


Hyperbole and a Half
is a memoir like no other. It’s particularly about Allie Brosh’s relationship with her two dogs – Simple Dog, who is unable to grasp the concept of stairs and Helper Dog, who is found to have developed a few psychotic episodes of his own, particularly involving other dogs and also snow – and her experience with depression, accompanied by simple yet brilliantly evocative illustrations. And surprisingly, these two subjects blend considerably well. Although Hyperbole and a Half tackles depression, it’s not depressing – that’s just not Allie Brosh’s style. She is immensely critical of herself, but she’s also conscious of the fact that she’s self-deprecating and that’s what makes you want to keep on reading. Allie manages to explain depression in a way that very few books do – so clear, real and understandable, not just an abstract concept that ‘happens to other people’. Hyperbole and a Half also features hilarious anecdotes from her life and childhood, from when she was determined to eat a slice of her grandfather’s birthday cake even after it was hidden from view (‘cake is the only thing that matters’) to when a goose managed to find its way into her home (‘most geese are dangerous psychopaths’). ‘Hyperbole’ is exactly the right word to describe what Allie Brosh does – it’s definitely exaggerated and ‘evokes strong feelings’, but it’s not fictional.

As for Allie Brosh’s drawings, well, I am jealous of her talent. No one has mastered MS Paint as well as she has and I cannot imagine any other style working so well. Hyperbole and a Half is a truly unique book; an incredibly honest and accurate portrayal of everyday life, and I cannot imagine anyone not laughing (even a little bit!) at her many ‘learning experiences’. Also, Allie is correct, the book is heavy.

“But she can’t do anything to prevent the world from containing other dogs, so instead, she is determined to make sure that no other dogs can enjoy existing. If she senses that another dog is enjoying itself nearby, she will do everything within her power to ruin that dog’s day”.

Published: 29th October 2013 (US) 31st October 2013 (UK)
Publisher: Touchstone (US) Square Peg (UK)
Pages: 384

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